We launched the Dodge Charger EV with CGI, a fake exhaust system, and enough swagger to crash the server—and I got to write it all into reality.

Dodge and GSD&M dropped an EV so loud it basically punched the category in the face—and I was in the room (and on the keyboard) when it happened.

We didn’t sell Dodge’s first EV with whispers and wind chimes—we lit the EV world on fire (metaphorically) with satire, swagger, and a big ol’ digital V8 growl.

Chevrolet had America talking with Walter the Cat and The Sopranos EV reunion. I helped craft the tone that made both ads funny, nostalgic, and hard to forget.

From the Silverado ZR2 to the Corvette Z06, I helped shape Chevy’s creative horsepower for a new generation of performance and EV fans alike.

From Guy Fieri to Walter the Cat, Jared Young and Jack Rogosin helped rewrite Chevy’s tone under CCO Gary Pascoe at Commonwealth//McCann.

Chevy’s Year of Electric campaign reimagined how EVs show up in culture—blending storytelling, celebrity collabs, and emotional branding to redefine performance.

From the Sopranos to stage design at CMA Fest, Chevy’s creative work redefined what cultural relevancy means for automotive brands.

Chevrolet rebranded Corvette for a new era with a 70th Anniversary edition, NFT ownership experiences, and a creative team that fused heritage with innovation.

Forget what you think you know about EVs. Dodge’s entry came with flames, attitude, and cinematic chaos.

To make the Dodge Charger Daytona EV cool again, we leaned into speed, sound, and an EV campaign for people who think EV campaigns suck.

A history-making EV launch with enough punch to silence the haters.